I write
articles about culture, technology, and human rights for Wired, Popular Science, Fast Company, and the New York Times Magazine. I also produce radio segments for PRI's Studio360 and am a Correspondent for
Boing Boing, one of Time Magazine's five most essential blogs of 2010.
In 2008, Chronicle published my book: Urawaza: Secret Everyday Tips and Tricks from Japan.
I am also the founder of The Tofu Project, a boutique program that helps Japanese entrepreneurs and creators think deeper, tell better stories, and go out into the world in a much bigger way. We work with companies like Mixi, Japan Airlines, and Salesforce.com.
Sometimes I try to explain Japanese culture on CNN, BBC, CBC, WSJ, ABC (so many acronyms!) or in person at places like the Foreign Correspondents' Club of Japan, ETech, and Ignite!
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the purse-whuteva thingy doesn't look bad, though the two dresses are kinda ugly (not kinda, they REALLY are)
Posted by: Reactive | July 31, 2008 at 10:38 AM
That bag is interesting. Throw your Suica card in there, but if you can afford that bag, you're probably not taking the Metro.
Those dresses are definitely haute couture. I wonder how they would look after the trickle down to pret-a-porter. That one on the right looks interesting when thinking how it would change depending on how the light hits it.
While I appreciate how blue jeans and a t-shirt will never go out of style, haute couture reminds us that fashion is fun.
Posted by: vagrant | August 02, 2008 at 07:00 AM
This surely looks like the futuristic fashion form a SciFi movie of the last century.
Posted by: Aki Hwang | August 27, 2008 at 05:57 AM